DeathJazz

DeathJazz

Death metal meets jazz. A chrome wordmark, four CD covers, and the brand world they implied.

2010
A death-metal and jazz band, San Francisco
Levid
Creative Director, Levid Media
5 → 15
Five pieces, fifteen brand surfaces
Result

An identity for a band that refuses to pick a genre. DeathJazz played death metal and jazz at once, out of San Francisco. At Levid Media in 2010 I designed the wordmark and four CD covers: one mark, cut like chrome, that could sit in a storm, a prismatic burst or on plain white and still read as the same band. What it taught me: a mark that has to live on wildly different covers needs one fixed shape and total freedom around it.

Brutality and virtuosity in one mark. Heavy enough for a metal crowd, precise enough for people who know their scales.

Metal logos are usually illegible on purpose, and jazz identities are usually polite. The wordmark splits the difference: faceted, angular letterforms with a chrome bevel, aggressive in shape but set on a clean baseline you can read from the back of a room, with a single spike dropping below the line. The covers then do the atmosphere, so the mark never has to.

Chrome, not gore

Beveled steel letterforms instead of the dripping, tangled marks of the genre. The aggression is in the angles.

Monochrome first

Black, bone white and steel grey carry everything. Colour arrives only as light, violet, cyan and ember bursting from behind.

Weather as texture

Storm cloud, lightning and cracked stone behind the mark, so each cover feels like a place rather than a pattern.

One mark, four moods

The same wordmark in a storm, a prism, a stencil and on white. The covers change; the band does not.

Four covers are a record sleeve; I wanted to see the tour. Void black, bone white and chrome, prismatic light as the only colour, lightning and stone for imagery: locked as brand DNA, it carried into merch, print, social and the street.

  • DeathJazz. Brand world: the diagonal wordmark between a saxophone and a drum kit, lightning and shattered stoneBrand world · rendered from the locked brand DNA
  • DeathJazz. Logo variations sheet
  • DeathJazz. Logo construction grid
  • DeathJazz. Business cards
  • DeathJazz. Packaging
  • DeathJazz. Merch collection
  • DeathJazz. Mobile app screens
  • DeathJazz. Stationery: letterhead, envelope, compliment slip, guitar picks and a wax seal
  • DeathJazz. Website hero
  • DeathJazz. Brand guidelines sheet
  • DeathJazz. Social kit: avatar, channel banner, feed posts and a story
  • DeathJazz. App icon concept and variants
  • DeathJazz. Presentation template: title, divider, content, two-column, data and closing slides
  • DeathJazz. Billboard
  • DeathJazz. Venue signage

The wordmark and covers are the design. The brand world is a 2026 study made with my own tool from that work, not work delivered to the band.

Brutality and virtuosity are the same swing.

DeathJazz, the brand line

Levid Media in 2010 for the wordmark and covers. A 2026 study for the brand world.

Creative direction

Founder and creative director at Levid Media, the agency that took the brief.

Wordmark and covers

The chrome wordmark and four CD covers, designed end to end.

Brand DNA

Extracted from the covers and locked: palette with roles, display and body type, imagery rules, anti-defaults.

Fifteen surfaces

Logo system, cards, stationery, packaging, merch, social kit, a presentation, web, app and app icon, billboard and venue signage, rendered from the locked DNA.

  • Logo design
  • Album art
  • Art direction
  • Music identity
  • Brand DNA extraction
  • Brand systems

The covers live in the archive with forty-three other projects from the agency years.

Browse the archive →